ArtLiveAndBeauty - Masterpieces of Paintings All The Times

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Hari Lualhati is a full-time artist who is permanently based in Cape Town, South Africa. She prefers her latest artworks to be called as “SOULWORKS” because they are a direct connection to her soul. Her figurative subject being accompanied by animals and nature shows that we are all connected. Hari’s soul works harmoniously combine impressive realism with fine details, amazing expressionism with her techniques and symbolism that unfolds a story behind elements used. Her soul works are mirrors of golden life lessons, Aha Moments and realizations that the artist aims to preserve and share to others. These soul works are not only a delight to the eyes, their messages immediately connects to the heart and leaves an unforgettable experience. Hari was born on February 12, 1985. At a very young age, she already showed interest in art. She has been a consistent school representative for Art Competitions and consistently been awarded as “Artist of the Year” during high school. Year 2006, Hari finished her Bachelor’s Degree in Fine Arts at the University of the Philippines, Diliman - with honors (Cum Laude). She worked in Philippines, Hong Kong, Shenzhen China, and South Africa as a graphic artist, product designer, illustrator, and painter.Hari’s received numerous awards from different International Art Competitions including: Art Renewal Center’s International ARC Salon 2014 - 2017 (USA), Marco’s Art Emporium- Return to Realism Art Competition 2019– 1st Place (South Africa), Drawing From Observation Art Competition 2019 – 1st Place (South Africa), TheArtList’s 2nd Place Winner 2020 (USA), Art Olympia 2019 (Japan), Figurativas Competition 2017 (Spain), World Wide Kitsch Competition (USA), Beautiful Bizarre Magazine – Artist on the Rise Award 2017 (Australia), The Palm Art Award Certificate of Excellence (Germany), Living Portrait Master – 2nd Prize 2017 (South Africa), “Arte Dinamica” from Grifio Art Gallery 2016 (Rome), American Art Awards 2014 – 1st Place (USA).






 














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