31 MasterPieces By Francois Fressinier [ Part I ] | A Contemporary French Figurative Painter

Francois Fressinier's paintings Part I

Francois Fressinier is a contemporary French artist with a distinct, appealing style. Delicate lines, the power and intensity of light and shadow play are expressive tools. François Fressiniere's work is distinguished by exquisite craftsmanship, and reviewers have described it as a contemporary combination of neoclassicism, classical renaissance, and romanticism.

Second Part Of The Artist Francois Fressinier’s Paintings : https://artliveandbeauty.blogspot.com/2023/11/40-paintings-by-artist-francois.html

John William Godward (1861-1922) | English Victorian Neoclassical Painter | ArtLiveAndBeauty

Artist John William Godward's Paintings

John William Godward was born on August 9, 1861, in Wimbledon, a London suburb, the eldest of five children to an affluent religious family. The Godwards' family heritage was insurance, and this was the career that was expected for the eldest son. His soul, however, was in art, and his family did not value his education. Godward relocated to another London area, Chelsea, where he rented a property, as a result of the family feud. The artist was enamoured with Italy since his childhood, and he created pictures of attractive Italians he encountered in England. In 1905, the occasion motivated him to travel to the nation of his aspirations. The artist's residence was located close to the Stamford Bridge stadium, which had been largely abandoned for many years before becoming the home arena of the Chelsea football club, which was created the same year. The incessant noise from the stadium, which was now interfering with the artist's tranquil work, led him to depart for Italy for a time.
At the time, the artist's ancient Roman subjects were timely. The thriving British Empire was on par with the old Roman Empire. Godward's paintings were purchased, and his name became well-known.

" The Oath of the Horatii " , Jacques-Louis David (1748–1825) | ArtLiveAndBeauty

The Oath of the Horatii,  By Artist Jacques-Louis David  (1748–1825)

" The Oath of the Horatii " was a watershed moment not just in Jacques-Louis David's art, but in European painting as a whole. The artwork helped to birth a new style, founding the French neoclassicism school.

If the "feminine universe" with its curving lines dominated 18th-century painting, it was now giving way to the verticals of the "masculine world," emphasizing the prominent role of valor, heroism, and military service. David acquired recognition across Europe with this canvas.

"The Oath of the Horatii" exposes the terrible and irreconcilable tensions between civic obligation and personal sentiments of people. The narrative of the film is based on an ancient Roman legend. During Rome's conflict with Alba Longa, three Romans, brothers from the Horatii family, were forced to fight a death combat to determine the conclusion of the dispute between the warring towns. The Horatii's opponents are childhood buddies. One of them is in a relationship with the Horatii's sister. As they prepare for a fatal fight, the brothers swear a promise to their father to safeguard the fatherland. They are unwavering and steadfast in their lofty motivation, which is reinforced by the uniformity of vast dynamic motions. The achievement is blessed by the Father.

Friends discouraged Jacques-Louis David from pursuing this plan, which, in their judgment, did not fit the attitude of the moment. Jacques-Louis David said that he would chose the moment before the war when old Horace accepts an oath from his son to win or die - a moment that the artist could only guess at due to the lack of specifics.

Jacques-Louis David employed a number of classical approaches. The painting's backdrop is darkened, but the characters in the front are emphasized to emphasize their importance. Dull colors are employed to emphasize the importance of the tale being depicted above the painting itself. The number "three" and the triangle are represented by a clear and distinct composition. Clear features are preferred over the light strokes associated with Rococo. Only women display strong emotions, while men perform their duties.

The painting was submitted to the Paris Salon, and David was concerned that he would be put in an unfavorable position owing to the machinations of his haters. However, the concerns were baseless. "The Oath of the Horatii" was well appreciated by the general audience.

The painting is part of the Louis XVI collection and is now on display in the 75th chamber on the first floor of the Louvre's Denon Gallery.

" Portrait of Napoleon I " , Jean Auguste Dominique Ingres (1780–1867) | ArtLiveAndBeauty

" Portrait of Napoleon I " , By Artist Jean Auguste Dominique Ingres

Napoleon's unwavering pursuit of achievement was represented in the artwork he commissioned, in which the concept of imperial authority and his personal might plainly triumphed. Jacques Louis David, the first painter of the Napoleonic court, made several paintings for the emperor. Antoine Jean Gros (1771-1835), whose paintings frequently show crucial incidents in Napoleon's military career, was another painter who contributed to the construction of the Napoleonic myth. "Bonaparte visits the plague hospital in Jaffa" was a major hit as an illustration of his work's dramatic impact.

Napoleon is shown on the imperial throne by Jean Auguste Dominique Ingres in the classic position of the supreme deity Jupiter, whose heraldic eagle is masterfully embroidered on the carpet. The zodiac signs on the carpet's border represent Jupiter's status as the ruler of heaven. The emperor is adorned with a laurel wreath and is armed with a sceptre, a judge's rod (the hand of justice), and Charlemagne's sword. Contemporaries recognised that Ingres linked the emperor to both Jupiter and the famous figure of God the Father from the Ghent Altarpiece (c. 1432) by Jan van Eyck, which was transported to Paris among the spoils of war.

The painting, titled "His Imperial Majesty Enthroned" (Fr. Sa Majesté l'Empereur sur son trône), was shown as piece No. 272 at the Salon de Paris in 1806 and was recorded as belonging to the legislature. Robert Lefebvre presented his piece "Napoleon in a coronation costume" in the same salon. Ingres' artwork was moved to the Louvre in 1815, when it was given the inventory number MR 2069 before being given the number INV. 5420. The Comte de Forbin displayed it in Les Invalides in 1832, first in the chapel and since 1860 in the library. It is currently on exhibit at the Army Museum.

" Portrait of Napoleon I " , Jean Auguste Dominique Ingres, 1806 Canvas, oil. Size: 259×162 cm Army Museum, Paris

" Self - portrait " , Marie-Gabrielle Capet ( 1761 - 1818 ) | ArtLiveAndBeauty

 

Marie Gabrielle Capet " Self-portrait "

 

In this "Self-portrait," the French neoclassical artist depicts herself sitting in front of an easel. In her right hand is a holder with a crayon. The delicate face of a twenty-two-year-old artist is well depicted. The capet precisely captures the texture of his dress's silk, the satin bow with which his hair is gathered, and the delicacy of the lace.

Marie-Gabrielle Capet (1761-1818) was one of the first female painters to paint professionally and for a livelihood in the 18th century. Adelaide Labille-student. Guillard's Known largely as a portrait painter who specialized in miniatures.

Marie-Gabrielle Capet, together with a teacher and other artists such as Marie Elisabeth Louise Vigée-Lebrun, successfully presented her paintings at the Salon, where there were works by more than twenty women in 1791, for example.

" Self-portrait " , Marie Gabrielle Capet , C. 1783 Canvas, oil. Size: 77.5x59.5 cm Tokyo National Museum of Western Art

40 Paintings By Artist Francois Fressinier [ Part II ] | ArtLiveAndBeauty

 

Francois Fressinier's paintings Part II

First Part Of The Artist Francois Fressinier’s Paintings : https://artliveandbeauty.blogspot.com/2023/11/francois-fressinier-first-part.html