31 MasterPieces By Francois Fressinier [ Part I ] | A Contemporary French Figurative Painter


Francois Fressinier's paintings Part I


Francois Fressinier is a contemporary French artist with a distinct, appealing style. Delicate lines, the power and intensity of light and shadow play are expressive tools. François Fressiniere's work is distinguished by exquisite craftsmanship, and reviewers have described it as a contemporary combination of neoclassicism, classical renaissance, and romanticism.


Second Part Of The Artist Francois Fressinier’s Paintings : https://artliveandbeauty.blogspot.com/2023/11/40-paintings-by-artist-francois.html



Artist Fritz Zuber Buhler ( 1822 - 1896 ) - The Master of Elegance and Romance


 Artist Fritz Zuber-Buhler's Paintings


Fritz Zuber-Buhler was a prominent 19th-century Swiss artist whose paintings captured the essence of elegance, beauty, and romance. Born on the 21st of June, 1822, in Le Locle, Switzerland, Zuber-Buhler's artistic talent blossomed at a young age. He received his early education at the Gymnase cantonal in Neuchâtel and then pursued his artistic studies in Paris, under the tutelage of renowned French painter François-Édouard Picot.

Zuber-Buhler's artistic style was deeply influenced by the prevailing Romanticism movement of his time. He excelled in portraying idyllic and sentimental scenes, often depicting beautiful women in luxurious surroundings. His works focused on capturing the delicate play of light, intricate details, and a keen sense of aesthetics, which brought his subjects to life with an enchanting allure.

Throughout his career, Zuber-Buhler gained recognition for his exceptional skills in rendering female figures. His portrayals of women were marked by their grace, refinement, and impeccable fashion. Often depicted in elegant gowns and surrounded by flowers or pastoral landscapes, these women exuded an air of sophistication and timeless beauty.

One of Zuber-Buhler's notable strengths was his ability to convey emotions through the subtle expressions and body language of his subjects. Whether it was the wistful look of a daydreaming lady or the joyous laughter of a playful child, Zuber-Buhler captured these fleeting moments with sensitivity and skill.

Zuber-Buhler's choice of themes ranged from historical and mythological scenes to portraits and genre paintings. His works often incorporated elements of fantasy, further adding to the romantic and dreamlike quality of his art. He skillfully infused his compositions with a sense of narrative, allowing viewers to imagine stories and emotions beyond the canvas.

In addition to his talent as a painter, Zuber-Buhler was also a skilled draftsman and printmaker. His etchings and engravings revealed the same level of attention to detail and artistic finesse seen in his paintings. These prints allowed a broader audience to appreciate his artistry, and many became highly sought after by collectors.

During his lifetime, Fritz Zuber-Buhler received numerous accolades and exhibited his works in prestigious art salons and galleries across Europe. His paintings were well-received, and he gained a considerable following among art enthusiasts and patrons.

Today, Zuber-Buhler's works are treasured as valuable representations of the Romantic era. They continue to inspire artists and art enthusiasts alike, serving as a reminder of the enduring appeal of beauty, emotion, and the power of artistic expression. His legacy as a master of elegance and romance lives on through the admiration of art connoisseurs and the continued influence of his paintings on contemporary artists.

In conclusion, Fritz Zuber-Buhler remains an artist whose impact transcends time. His ability to capture the subtleties of emotion and create mesmerizing compositions ensures his place in art history as a master of Romanticism. Through his depictions of beautiful women and enchanting scenes, he invites us to immerse ourselves in a world of grace and splendor, leaving a lasting impression on all who behold his art.


123 Paintings By Artist Friedrich von Amerling ( 1803 - 1887 ) | Austrian 19th Century Painter | ArtLiveAndBeauty

 

Artist Friedrich von Amerling 


Friedrich von Amerling's work is recognized by its use of a wide range of colors, beauty of pattern, and exotic design. The majority of the artist's work is in the portrait genre. Friedrich von Amerling, along with Ferdinand Georg Waldmüller, was a well-known portrait painter of the nineteenth century.


Friedrich von Amerling was born in Vienna on April 14, 1803. I learned a great deal about the craft. Amerling moved to Vienna in 1828. During the Viennese Biedermeier, he became a popular portrait painter, receiving contracts from the imperial family, the highest aristocracy, burghers, and great industrialists. The artist's popularity peaked between 1828 and the 1850s.


Friedrich von Amerling died in Vienna on January 14, 1887. Amerling made over a thousand pieces, the majority of which are in Austrian museums and private collections.



"Ophelia", by Artist Paul Albert Steck

Ophelia By Artist Paul Albert Steck


 Ophelia is a fictional character in William Shakespeare's play Hamlet, Prince of Denmark. She is a young noblewoman, daughter of Polonius, sister of Laertes, and lover of Hamlet.


 Ophelia first appears in the play when she says goodbye to her brother Laertes, who is leaving for France. Laertes instructs her about Hamlet's courtship. He warns that Hamlet, being the likely heir to the crown, is not free to marry Ophelia and therefore his advances must be rejected. After Laertes' departure, Polonius also warns Ophelia against Hamlet, as he does not believe in the sincerity of the prince's feelings and intentions. At the end of the lecture, Polonius forbids her to meet with Hamlet.


 Ophelia, having learned about the murder of Polonius (Hamlet accidentally pierces her father through the curtain, thinking that he is Claudius), goes crazy. She speaks in riddles and hums outwardly meaningless songs, not wanting to listen to the queen's objections. In act 4, scene 7, Gertrude enters and announces the death of Ophelia to the king and Laertes.


 Since it is impossible to understand from the text of the tragedy whether Ophelia's death was the result of an accident or suicide, her death has been the subject of endless disputes for four centuries.


 A possible historical prototype of Ophelia is called Katharina Hamlet, a girl who fell into the Avon River and died in December 1579. Although it was determined that she lost her balance and fell while carrying heavy buckets, there were rumors that the cause of death was an unhappy love that led her to suicide. Perhaps Shakespeare, who was 16 at the time of her death, recalled this incident when creating the image of Ophelia.


 The image of Ophelia has always attracted artists. The author of the painting presented today, the French artist Paul Albert Steck, was a student of Jean-Leon Gerome.


Ophelia, Paul Albert Steck, 1894, Oil on canvas. Petit Palais (Small Palace), Paris


Artist Joseph-Desire Court (1797-1865) | ArtLiveAndbeauty

 

Joseph-Desire Court's Paintings


Joseph-Desire Court was a French portrait painter and historical painter, director of the Museum of Art in Rouen. Joseph-Desire Court belongs to the romantic direction of painting in the form of sentimentalism, popular in Russia, Germany and England. In France, alas!, such romanticism was not in honor. Since French romanticism is violent colors and historical plots of Géricault and Delacroix. Joseph-Desire Court was born in Rouen. Even as a child, by copying the portrait of his mother by the artist Hyacinthe Rigaud, Joseph showed everyone his talent and interest in painting. Therefore, the boy was sent to the municipal drawing school of Jean-Baptiste-Marc-Antoine Descamps, where his first steps in creativity and the study of the basics took place under the guidance of Descamps' son, professor and curator of the Rouen Museum. Joseph has won first place in school competitions more than once. While still studying in Paris, 



134 Paintings of Artist Jack Vettriano Part [2] | ArtLiveAndBeauty

 

Jack Vettriano's Paintings Part [2]


Jack Vettriano's paintings are infused with love and passion. He is often regarded as the most popular artist in the United Kingdom. Jack, like no other, captures the flow of modern life, with all of its attractions and realities, while remaining sensual. Jack Vettriano ( Jack Hoggen ) is a Scottish artist who became wealthy and renowned after copies of his work The Singing Butler became the best-selling copies in the United Kingdom in 1992.

You Can Also See The First Part of the artist Jack Vettriano's Paintings from this link :

https://artliveandbeauty.blogspot.com/2022/05/artist-jack-vettriano-contemporary.html



Artist Jack Vettriano Part [1] | A Contemporary Scottish Painter | ArtLiveAndBeauty

 

Jack Vettriano's Paintings


"A good artist is a dead artist," as the adage goes in England, and Jack Vettriano, whose work became world famous during his lifetime, was an exception. Jack Vettriano is definitely one of the most popular and financially successful painters in the United Kingdom today. Reproductions of The Singing Butler, for example, outsell Van Gogh's Sunflowers in England. In 1951, Jack Vettriano is a contemporary Scottish painter of Italian Roots artist  his real name Jack Hoggan, was born into a mining family in St. Andrews, Scotland. Jack Vettriano began sketching only when he was 21, when a buddy unexpectedly handed him a set of paints for his birthday. At first, it was only a pastime for the young guy, who enjoyed copying the paintings of Scottish artists. Then he came upon the Impressionists and began to mimic them. That is the foundation of Jack Hoggan's art education. He received no specific schooling and developed Jack Vettriano himself.


You Can Also See The Second Part of the artist Jack Vettriano's Paintings from this link :




Artist Francesco Hayez ( 1791 - 1882 ) | Italian Romatic Painter | ArtLiveAndBeauty

 



Francesco Hayez's Paintings


Francesco Hayez (1791 Venice – 1882 Milan) was an Italian painter who was noted for his historical paintings, political allegories, and portraits. He was one of the main painters of romanticism in the mid-nineteenth century. The son of a French national. Francesco Hayez was the youngest of five sons born into an impoverished household in Venice. His parents sent him to his aunt, whose husband saw creative potential in his young nephew and sent him to a restoration business to study. At the age of seven, the youngster enrolled as a pupil of F. Maggiotto, with whom he spent three years learning the fundamentals of painting. Hayets had always been a good artist, so his uncle hired him as an apprentice to an art restorer. 




Poetess By Artist Fritz Zuber Buhler 1822 - 1896

 

" Poetess " , By Artist Fritz Zuber-Buhler


 A well-known painting by the Swiss artist, whose work is notable for its romantic subjects, detailed compositions and elegant painting style. The Poetess was painted at the end of the 19th century, when the movements of feminists and suffragettes fighting for equality between men and women were just beginning to develop in Europe. Perhaps the main character was one of those women.

 What should a respectable mother of a family think about? Probably about the fact that the children were healthy, well-fed and that the husband was happy and did not leave for another. But not in this case. The heroine of the painting by Fritz Zuber-Buhler became interested in poetry. The woman is so passionate about writing another masterpiece that she cannot pay attention to the household. Therefore, things in the family are not going as well as we would like.

 A coffee pot with a cup, saying that the poetess sat at work all night. However, the muse never came to the woman, which can be understood from the pile of drafts lying under the table. The troubles of life are of little concern to the main character, who is in her own creative world, where, judging by the slight smirk on her face, she feels good.

 Fritz Zuber-Bühler ( 1822 - 1896 ) was a Swiss genre painter. Born in Le Locle, Switzerland. At the age of 16 he moved to Paris, where he met his first teacher, Louis Groscloud (1784-1869). Then he studied at the School of Fine Arts, improved his skills with Francois-Edouard Picot. Then he went to Italy, after 5 years he returned to Paris and there, in 1850, he made his debut at the Salon.


" Poetess " , Fritz Zuber-Buhler, 1880 Canvas, oil. Size: 68x76 cm. Bern Art Museum
" Poetess " , Fritz Zuber-Buhler, 1880 Canvas, oil. Size: 68x76 cm. Bern Art Museum 


Napoleon Bonaparte crossing the Alps at Grand Saint Bernard By Artist Jacques-Louis David (1748 - 1825) | ArtLiveAndBeauty


" Bonaparte at the Saint Bernard Pass " By Jacques-Louis David ,1801 


It is believed that this large painting by Jacques Louis David opened the era of romanticism in European painting. The portrait of Napoleon, who at that time was the first consul of the French Republic, is strongly idealized, and his composition is extremely theatrical. General Bonaparte is presented as a leader who defies nature.


Napoleon led the Army of Italy through the Alps' St. Bernard Pass in May 1800. For the first time in French art, the academic style, with painstaking attention to detail, light-and-shadow modeling of the form, the "smooth manner" of painting, and the subtlety of color relationships, organically merges with love content in this picture. In this scene, David takes on the role of the creator of a new aesthetic direction: romanticism.


David's apologetic iconography had a significant effect on the cultural image of Napoleon. In 1802, a replica of David's canvas was displayed in St. Petersburg. Several prints based on this artwork were created under the First Empire. Napoleon riding a rearing horse has been replicated in marble, bronze, porcelain, and even wood carvings.


" Bonaparte at the Saint Bernard Pass " By Jacques-Louis David ,1801 Oil on canvas. Size: 261 × 220 cm. Malmaison, Paris (private residence of Napoleon Bonaparte and Josephine Beauharnais)
" Bonaparte at the Saint Bernard Pass " By Jacques-Louis David ,1801 Oil on canvas. Size: 261 × 220 cm. Malmaison, Paris (private residence of Napoleon Bonaparte and Josephine Beauharnais)


" Northern Lights " by Artist Frederic Edwin Church, 1865 | ArtLiveAndBeauty

 

Northern Lights by Artist Frederic Edwin Church


Frederic Edwin Church (1826-1900), an American romantic landscape painter, was a notable exponent of the Hudson River School. The artist was not there at the time when his picture "Northern Lights" was created. Church utilized drawings by his friend Isaac Hayes, an Arctic explorer, and his comprehensive description of the spot and the aurora (from another location) that Hayes had observed in January 1861 to paint the landscape.

Church's painting shows a bleak arctic scene of ice and rock, with the aurora borealis casting a ghostly and whimsical light in the sky. The Hayes expedition's schooner United States may be seen in the left foreground. Dark rocky mountains surround it, and in the distance rises the triangular contour of Church Peak, called Hayes after the artist.

Eleanor Blodgett gave the Northern Lights painting to the Smithsonian Museum in 1911.


" Northern Lights " by Artist Frederic Edwin Church, 1865
 Northern Lights by Artist Frederic Edwin Church, 1865 Oil on canvas. Size: 142.3 x 212.2 cm. Smithsonian American Art Museum, Washington 

" Will You Join Us ? " by Antonio Casanova i Estorach

" Will You Join Us ? " by Artist Antonio Casanova Y Estorach. 1890  

 A master of genre and romantic scenes, the Spanish artist Antonio Casanova y Estorach (1847-1896) became famous for his series of paintings about cheerful monks who are not alien to worldly joys.  His heroes - clerics in cassocks enjoy a comfortable life, indulging in a hearty meal, with a glass of beer and a bottle of wine.  They also look at young women, as in the painting “Will you join us?”.

 Poverty and despair drove the sad and pale girl out into the street with plain wild flowers in the hope of earning money for food.  The eyes of the young flower girl are full of tears of hopelessness.  Two well-fed self-satisfied monks take advantage of the situation and in every possible way court the young lady, seduce her with wine and dishes that look out of the canvas bag of one and the wicker basket of the other.

This story is about the moral choice of the heroine and a kind of rebuke to the clergy, who, hiding behind holy robes and prayer books, act here as a snake-tempter, wanting to pluck and desecrate this delicate, barely blossoming flower at all costs.


"Will You Join Us?" by Antonio Casanova i Estorach. 1890
"Will You Join Us?" by Antonio Casanova i Estorach. 1890  Canvas, oil.  Size: 26.9 x 35.2 cm. Private collection. 


Advice for Revenge , 1871 by Artist Francesco Hayez ( 1791 - 1882 )


 Advice for Revenge by Artist Francesco Hayez

 

The second name of the painting is " The Oath of Vengeance " . The place of action is most likely Venice, where its author was born. Apparently the women have just left the masquerade as they are wearing masks. And one lady is clearly saying some unpleasant things to her interlocutor. 

Pay attention to the note in the hand of the masked woman and the reaction of the second lady: she almost cries. Based on the name of the canvas, it can be assumed that the letter contains evidence of the betrayal of the groom or spouse, and the masked woman persuades the unfortunate woman to take revenge on the offender. However, the friend is not at all who she claims to be.

“Advice on Revenge” is part of a triptych that includes the paintings “Accused of Treason” and “Revenge of a Rival” (the canvas is also known as “Venetian Women”). And you need to consider the paintings in the context of the history of their creation. 

It is assumed that the painter took the plot of the triptych from the poems of his friend, the poet Andrea Maffei. According to the text of the verses, the following happens in the pictures: 

"Revenge Advice": Maria (the woman in green) receives a note from Rachelle (the masked lady) with proof that Maria's lover is cheating on her. Rachel invites her friend to report the unfaithful to the authorities as a traitor to his country. 

"Charge of treason": Maria wrote a denunciation of her lover.

"Revenge of the rival": the man in red took the letter and takes it to the authorities, and Maria repented and tries to catch up with him. And all this was started by Rachel, who offered herself to her beloved Mary, but he refused her.

 Such is the revenge of the rejected woman.



" Advice for Revenge " , 1871 by Francesco Hayez ( 1791 - 1882 )
" Advice for Revenge " , 1871 by Francesco Hayez ( 1791 - 1882 )

" The Seventh Plague of Egypt " 1823 By Artist John Martin (1789 – 1854) | ArtLiveAndBeauty


" The Seventh Plague of Egypt " By Artist John Martin


The term "plague" refers to various large-scale epidemics with comparable symptoms that have occurred throughout history. The first of them was the so-called Justinian plague, which swept over Byzantium and the Mediterranean in the middle of the sixth century, killing over 100 million people. Another such incident was the medieval "Black Plague," which wiped off around one-third of Europe's population in the middle of the 14th century.

The 10 Plagues in order: 


Turning the Nile water into blood

The blood:

According to Jewish traditions, the first strike occurred when all the waters of the Nile River turned into blood, but according to the scientific interpretation, it was a phenomenon of red algae, which colored the Nile waters red, and amazed the Egyptians a lot at the time, and there are several known events in history in which this phenomenon appeared in sources Natural water.


Frogs:

According to scientific explanations, the emergence of the wave of frogs throughout Egypt was due to the previous phenomenon, which is red algae, as it changed the environmental balance in the Nile, killing the fish that swam in it, and the death of the fish allowed the rapid reproduction of frogs, which multiplied without limits.

Lice:

The spread of lice, which is a common phenomenon even today in all parts of the world and not only in Egypt, during the reign of Pharaoh Moses, according to scientific interpretations, came because of the "frogs" that brought behind an epidemic of lice, which fed on the corpses of frogs that floated on the Nile River, in addition to Lice were a rare phenomenon in Egypt at that time.

Flies:

The plague of "flies", which was the fourth plague of the ten plagues, consisted of many insects, which, according to scientific explanations, fed on the dead bodies of frogs, fish, and algae that filled the Nile River.
The plague:
The "plague" epidemic was also common at that time, according to scientific estimates, and it was spread by rats, especially in Europe, and it is possible that the many insects that came to Egypt at that stage were the ones that transmitted the "plague" disease that led to mass death. for farm animals.


Boils:


The sixth plague was "boils," a skin ailment linked to leprosy that was spread by "flies" and insects that carried the disease.


Bringing down the cold and the fire:


Scientists have proven that areas where a severe volcanic eruption occurred are susceptible to the formation of severe thunderstorms, and it appears that a volcanic eruption has resulted in severe weather conditions, which were reflected in the heavy hail that destroyed Egypt's grain fields, and as for the outbreak of fire, it is still a mystery because scientists have not found a scientific explanation for it.


Locust:

The phenomenon of "locusts" is natural and still occurs to this day, and the locust strike is still common in the world, and in the Middle East as well, and in March 2013, swarms of locusts launched attacks on Sudan, Egypt and Israel, and according to scientific explanations for the "locust" strike that occurred During the reign of Pharaoh Moses, it came as a result of severe climatic changes that occurred due to the volcanic eruption, or as a result of hail, as heavy rainfall could in turn lead to the growth of locust swarms.

The Darkness:

The scientific explanations for the “darkness” strike said that the complete decline of darkness on the face of the region for a continuous period is a phenomenon that is difficult to explain, but it linked it to the volcanic eruption, as it is known that the accumulation of volcanic ash in the air may cause darkness, as has already happened also in the past years, and there is an explanation Another said that a "long solar eclipse" that occurred in Egypt may be behind this phenomenon.
Death of premature infants:
This is the most difficult blow to interpret among all the strikes of Egypt. According to the story recounted by Jewish beliefs, all the firstborn sons of the families of Egypt died in one night, while the sons of the Jews survived, and the “Torah” tells that God Himself moved from door to door, and slaughtered the children of The Egyptians, and the Jews were spared because they kept God's commandments by putting a mark on the doors of their homes with the blood of a lamb they sacrificed to God.
Scientists say that it is possible that the children of Egypt died because they ate contaminated grain, which was filled with mold after the plague and locusts struck, and others say that the Egyptians themselves were the ones who killed their firstborn sons and sacrificed them to their god, because they believed that only in this way would they be saved from the evils that befell them.


" The Seventh Plague of Egypt " 1823 By Artist John Martin (1789 – 1854)
" The Seventh Plague of Egypt " 1823 By Artist John Martin (1789 – 1854)

Meeting of Orestes and Hermione , By Artist Anne Louis Girodet Trioson ( 1767 - 1824 )


" Meeting of Orestes and Hermione "  , By Artist Anne-Louis Girodet-Trioson


Painting by a pupil of Louis David, a French historical painter. Among the classicism that dominated French art at the time, he became the forerunner of romanticism, which quickly changed the course of the movement. The artist was drawn to the complicated theme of unrequited love and treachery shown in the tragedy "Andromache" by French playwright Jean Racine.

The narrative is based on the moment in which Cleon introduces Orestes to his crafty cousin Hermione. Clytemnestra orders her to influence Orestes and finally drive him mad.

Girodet-Trioson skilfully contrasts Orestes' passion and Hermione's sensible disposition. She turns away, her arms crossed across her chest, like a statue between the columns of the chilly marble chamber. Hermione's sneaky expression, on the other hand, forewarns the spectator of her devious tactics, which will ultimately lead to a disastrous conclusion.


" Meeting of Orestes and Hermione " , by Artist Anne-Louis Girodet-Trioson , 1846 Oil on canvas. Cleveland Museum of Art
 " Meeting of Orestes and Hermione " , by Artist Anne-Louis Girodet-Trioson , 1846 Oil on canvas. Cleveland Museum of Art

40 Paintings By Artist Francois Fressinier [ Part II ] | ArtLiveAndBeauty

 

Francois Fressinier's paintings Part II



First Part Of The Artist Francois Fressinier’s Paintings : https://artliveandbeauty.blogspot.com/2023/11/francois-fressinier-first-part.html